前(🈯)身(shēn )是(shì )(🍅)皇軍軍港的吳港(🐽)，戰後成為船塢工(gōng )人的生活(🕟)煉獄。在(🕰)資本家剝(bāo )削和枯(🎹)燥生活的雙重煎熬下(xià )，躁動的年(nián )輕生命，一頭栽進(🌗)暴力(♑)漩渦，延(🖲)擱(⚫)成長，終日在(zài )打(dǎ )鬥、賭博、酗酒中尋找暫(🛹)時(shí )的麻醉(🐖)。吉田喜重通過工頭(🍮)之眼，對不合理的(de )社會(🤯)現實(🐖)作出(🔊)欲迎還(hái )拒的批(🧚)判，被視為(📯)日本(běn )新(xīn )浪潮代(🔢)表作(💱)之一。香山美(měi )子飾(💻)演純(chún )真(📙)的酒館(🐑)女待(🙌)，同情工人(㊙)卻慘被(bèi )(🙉)強姦，正與(yǔ )負的能量，在大(dà )時代中比拼(😍)互滲，可有超越對與錯(cuò )，是與(yǔ )(🤖)非的位置？片(piàn )末火車站送別一(yī )場，在家和社會(huì )(🦇)之(zhī )間，吉田(🐛)喜重作出了左(zuǒ )翼的選擇(🌼)。　　One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come.　　- SummerIFF 2007