前身是皇(huáng )軍軍港的吳港，戰後成為船塢工人(🃏)的生活煉獄。在資本家(jiā )(🍥)剝削和(🎗)枯(🎹)燥生活的雙重(chóng )(🍖)煎熬下，躁動的(😧)年(🎾)輕(📿)生命，一頭栽進暴力漩(📼)渦，延擱成長，終日(🎩)在打鬥、賭博、酗(🙍)酒(💆)中尋(🔲)找暫時的麻醉。吉田喜(xǐ )重(🎫)通過工頭(🍮)之(zhī )(✖)眼(🙁)，對不(bú )合理的社會現實(shí )作(zuò )出欲迎(yíng )還拒的批判，被視為日本(🛑)新浪潮代(🔢)表作之一。香(🌊)山(㊗)美子飾演純(chún )(🙂)真(zhēn )的(de )酒(jiǔ )館女(nǚ )待，同(tóng )情工人卻慘(🙀)被(bèi )強姦(jiān )，正與負的能量，在大(🔔)時代(dài )中比(bǐ )拼互滲，可有超越對(🕐)與錯(cuò )，是與(yǔ )非(⚾)的位置？片末(mò )火(❕)車站送別一場，在(🛎)家和社會之(zhī )(😊)間，吉田喜(xǐ )重(chóng )作出了(🥋)左翼的選擇。　　One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come.　(👫)　- SummerIFF 2007