一直(zhí )作(zuò )(🍅)為米路斯．科曼劇(🥇)本(📼)鐵三(🏽)角（另(🔼)一(yī )位是(shì )帕培錫，也是本(🤢)片編劇(jù )(🎺)之(zhī )一）成員的(🐉)艾(🛤)雲(🌰)．巴薩，當然(rán )也走低度戲(🌫)劇路線。同是音樂家的(de )彼(bǐ )德與卡洛老友(yǒu )重逢(féng )，生(shēng )活狀況大不同，你有伴侶我有(yǒu )家庭，然(rán )而(ér )都有說不出的不(bú )明朗，唯(wéi )有以(🥀)酒與音樂(🐖)代(🤷)替口水。全片推(🧚)展不問目的，只在剎那間的意圖(tú )，行(háng )(🎛)行(háng )企(qǐ )企比起科(🗞)曼更義無反顧(gù )，卻有(🤸)生活(huó )淡如(rú )流水的詩意和繆思，叫(jiào )觀眾(zhòng )聯想到二十年後的(de )伊力．(🏯)盧(🤳)馬。巴薩鍾愛音(🧣)樂(lè )的程度不下於文字和(hé )(💝)電影，古典音樂(🛎)與(💍)民間音樂於(yú )全片迴轉迴盪(dàng )(🐨)，難怪成(🃏)了奇(💅)斯(🌼)洛夫斯(📟)基十大心(🔈)愛電影之(zhī )一(🐡)。　　　(🔍)　康(🤥)城影展(🔤)青年(💏)評(📸)審團獎(👵)，美國(guó )全國影評人協會特別獎　　　　這部1966年的(⏳)珍品，是捷克新(🕕)浪潮短暫生命中(zhōng )最(🐂)佳作品之一。成名(❓)音樂(✖)家到小鎮探(tàn )訪舊同學，舊同學是個窮(qióng )音樂教師，有(yǒu )(🌲)時在(zài )喪禮上吹奏樂曲。平凡的(de )素(💨)材在巴素手裡，變出(chū )(📯)風趣復罕見的(🍉)旋(xuán )律，一(🌒)部憂鬱(yù )的(🏖)喜(xǐ )劇，或(🕌)灰(🏗)色喜劇。　　　　- Dave Kehr, Chicago Reader　(🔂)　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　(🐃)　　Special Award, National Society of Film Critics Awards　　　　(😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　　(👚)　　Source HKIFF Czech New Wave 2006