电(diàn )影(🕕)讲(🍅)述了上世纪(jì )(⛲)九十年代(📼)的(de )哈萨克(kè )小镇(🌰)，四个少(shǎo )年各自的(🕰)生命(mìng )之路。扎哈拉斯正在(🛤)备受(🍖)父亲的(de )煎(🐮)熬，后者因曾是(shì )一个诈骗犯而找不到工作，为(wéi )了帮助(👑)父亲，他不得不(🕯)在玉米加工厂打工。巴拉潘有一(yī )把好(🎫)嗓子，能(néng )够将“万福玛丽亚”唱的娓(🐖)娓动听，然而(🌙)校园生(shēng )活(huó )教会(huì )他(tā )的是使用自己的拳头而不是声(shēng )(㊗)音。扎哈巴(bā )则(zé )在(zài )流(✋)浪(🐑)在村子(zǐ )里(lǐ )的垃圾堆中(🙀)，寻找可(🎾)以卖的(de )废金属(shǔ )，他与其他三名(míng )同龄离家(⛳)出走的男孩子(zǐ )睡在废弃的(⚾)隧(🕯)道(🌮)中(👣)。阿(ā )(🤘)斯兰正(💝)在(💹)为医药学(xué )(🍑)努力(lì )，然而当(dāng )(🦇)他说(🈸)服(➡)自己(🐛)的女(⛏)朋友堕胎之后，他的人(rén )格发生了彻底的改变。　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016